Saturday, 30 November 2013

Mohsin Naqvi Urdu Poetry

Mohsin Naqvi Urdu Poetry Biography

Source(google.com.pk)

Mohsin was born on May 5, 1947 in a neighbourhood called 'Muhallah-e-Sadat' in Dera Ghazi Khan, in present day Pakistan. His Father Syed Chirag Hussain, was a saddlemaker and later worked as a food vendor. His parents had named him 'Ghulam Abbas' which he later changed to 'Ghulam Abbas Mohsin Naqvi'. Mohsin had six siblings.

A partial list of Urdu poetry books of Naqvi:
Azaab-e-Deed عذاب دید
Khaima-e-Jaan خیمہء جاں
Berg-e-Sehra برگ سحرا
Band-e-Kbaa بند قبا
moje-idraak
Taloo-e-ashk
Furat-e-fikr
Reza-e-harf
Rakht-e-shab
Rida-e-khwab
Haq-e-Aeliya

Popular poems
Kehtay hain baray fakhar say hum
ghum nahi kertay
Matam ki sada suntay hain Matam
nahi kertay
Vo log bhala samjhein gay kiya
Raz-e-Shahadat
Jo Eid to kertay hain Muharram
nahi kertay
Kyun aap ka dill jalta hai kyun jalta
hai seena
Hum aap k seenay pe to Matam
nahi kertay
Moshin ye Maqbool Riwayat hai
jahan main
Qatil kabhi maqtool ka matam
nahi kertay

===============

Aankhain khuli rahain gi toh manzar bih ayengai
Zinda hai dil toh aur sitamgarr bhi ayengai

Pehchaan lo tamaam faqeeron kay khadd-o-khaal
Kuch log shab ko bhais badal kar bhi ayengai

Gehri khamosh jheel kay paani ko yun na chaidh
Cheenthay uday toh teri qaba par bhi ayengai

Khud ko chhupa na sheesha garon ki dukhaan mai
Sheeshay chamak rahey hain toh pathar bhi ayengai

Aye shehr yaar dasht say fursat nahi — magar!!
Niklay safar pay hum toh teray ghar bhi ayengai

*Mohsin* abhi saba ki sakhawat pay khush na ho
Jhonkay yehi basoorat-e-sarr sarr bhi ayengai…

===============

Qatal chuptay thay kabi sang ki deewar k bech
Ab to khulny lagy maqtal bhary bazar k beech

Apni poshak k chin jany pe afsoos na kar
Sar salamat nae rehty yahan dastar k bech

Surkhian aman ki talqeen mein masroof rahen
Haroof barod ugalty rahy akhbar k bech

Kash iss khuwab ki tabeer ki mohlat na mily
Sholy ugtay nazar aay mujhy gulzar k bech

dhalty soraj ki tamazat nay bikhar kar dekha
sar kasheeda mira saya saf-e-ashjar k bech

Rizq, malbos, makaN, sans, marz, qarz, dawa
Munqisem ho gya insaN inhe afkar k bech

Dekhy jaty na thy aanso mry jis say Mohsin
Aj hansty howy dekha usay aghyar k bech.


Mohsin Naqvi Urdu Poetry
Mohsin Naqvi Urdu Poetry
Mohsin Naqvi Urdu Poetry
Mohsin Naqvi Urdu Poetry
Mohsin Naqvi Urdu Poetry
Mohsin Naqvi Urdu Poetry
Mohsin Naqvi Urdu Poetry
Mohsin Naqvi Urdu Poetry
Mohsin Naqvi Urdu Poetry
Mohsin Naqvi Urdu Poetry
Mohsin Naqvi Urdu Poetry

Faiz Ahmed Faiz Urdu Poetry

Faiz Ahmed Faiz Urdu Poetry Biography

Source(google.com.pk)

Faiz Ahmad Faiz was an influential left-wing intellectual, revolutionary poet, and one of the most famous poets of the Urdu language from State of Pakistan. A rising figure and notable member of the Progressive Writers' Movement (PWM), Faiz was an avowed Marxist-communist, long associated member of Russian-backed Communist Party and was a recipient of Lenin Peace Prize by the Soviet Union in 1962. Despite being repeatedly accused of atheism by the political and military establishment, Faiz's poetry suggested his complicated relationship with religion in general and Islam in particular. He was, nevertheless, inspired by South Asia's Sufi traditions. 

Faiz was controversially named and linked by Prime minister Liaquat Ali Khan's government for hatching the conspiracy against Ali Khan's government, being Plot's central leader which was supported by left-wing military sponsor Major-General Akbar Khan. Having being arrested by Military police, Faiz among with others received a maximum sentence by JAG branch, although his sentence was commuted after the assassination Liaquat Ali Khan in 1951. 

Biography 

One of the foremost poets in the Indian sub-continent, Faiz Ahmed Faiz was born in Sialkot in Pakistan. He studied philosophy and English literature, but poetry and politics preoccupied him more than anything else. For writing poetry that always antagonizes the ruling Žlite and challenges colonial and feudal values, like such rebellious writers as Ngugi of Kenya and Darwish of Palestine, Faiz had to go to jail repeatedly during both colonial and postcolonial times in Pakistan. Inspired by the Marxist ideology, Faiz's poetry exhibits a strong sense of commitment to lower-class people, yet it always maintains a unique beauty nourished by the long, rich tradition of Urdu literature. His love poems are as appealing as his political poems, and he is considered primarily responsible for shaping poetic diction in contemporary Urdu poetry. Which poems deal with love, and which ones with politics? What evidence is there that Faiz is a courageous poet? What is his attitude towards loneliness and death? 

Awards 

Faiz was the first Asian poet to be awarded the Lenin Peace Prize, the Soviet Union's equivalent to the Nobel Prize in 1963. He used traditional meters and rhythms to compose poetry that was a blend of Romanticism and realism. Before his death he was also nominated for the Nobel Prize.

Faiz Ahmed Faiz's Works:

Naqshe Faryadi 
Daste Saba 
Zindan Nama 
Mizan, a collection of literary articles 
Daste-Tahe-Sang 
Sare-Wadiye Seena 
Shame-Shehr Yaran 
Merey Dil Merey Musafar 
Nuskha-Hai-Wafa 
Pakistani Culture (Urdu and English)

Popular Poems
A Prison Evening
Before You Came 
Do not ask, my love..... 
Ghazal 
Highway 
It Is Spring Again 
Last Night...... 
Loneliness 
My Heart, My Traveler 
My Interview 
Solitude 
Some Lover To Some Beloved! 
Speak 
Stanza

Faiz Ahmed Faiz Urdu Poetry
Faiz Ahmed Faiz Urdu Poetry
Faiz Ahmed Faiz Urdu Poetry
Faiz Ahmed Faiz Urdu Poetry
Faiz Ahmed Faiz Urdu Poetry
Faiz Ahmed Faiz Urdu Poetry
Faiz Ahmed Faiz Urdu Poetry
Faiz Ahmed Faiz Urdu Poetry
Faiz Ahmed Faiz Urdu Poetry
Faiz Ahmed Faiz Urdu Poetry
Faiz Ahmed Faiz Urdu Poetry

Urdu Poetry Books

Urdu Poetry Books Biography

Source(google.com.pk)

Tullu (Dawn) – published by Saghar Nizami, Adabi Markaz, Meerut in 1933. Foreword by Saghar Nizami.
Noor-e-Mashriq (The Light of the East) – published by Jyoti Prasad Gupta, Jyoti Printing Works, Esplanade, Delhi in 1937. Introductions by Josh Malihabadi,Editor, Kaleem, Delhi, Hakim Azad Ansari (1871–1942) and Manzar Siddiqui, Editor, Kanwal, Agra.
Zia Ke Sau Sher (A Hundred Verses of Zia) – published by Gajender Lal Soni, Mohan Building, near Lloyd's Bank, Delhi in 1938.
Nai Subah (The New Morn) published by Adaaraa Seemab,Daryaganj, Delhi in 1952. Forewords by Munavvar Lakhnavi (1897–1970) and Prof. Mubashshir Ali Siddiqui M.A.(died 1987)
Gard-e-Raah (The Road Dust)- published by Maktaba Shola aur Shabnam, Daryaganj, New Delhi in 1963. Foreword by Abr Ahasani Gunnauri (1898–1973) and Khushtar Girami (1902–1988)
Husn-e-Ghazal (The beauty of Ghazal)- published by Miraj Mittal, Ambala in 1964.
Dhoop Aur Chandni (The Sunlight and the Moonlight) – published by Radha Krishan Sehgal, Bazm-e-Seemab, J 5/21,Rajouri Garden, New Delhi in 1977.
Rang-o-Noor (The Colour and the Light) – published by R.K.Sehgal, Bazm-e-Seemab, J 5/21, Rajouri Garden, New Delhi in 1981 (prize awarded by U.P.Urdu Academy).
Soch ka Safar (The Journey of Thought) – published by R.K.Sehgal, Bazm-e-Seemab, J 5/21, Rajouri Garden, New Delhi in 1982.
Naram garam hawain (The soft Warm Air) – published posthumously by R.K.Sehgal, Bazm-e-Seemab, J 5/21, Rajouri Garden, New Delhi in 1987 with the aid of Delhi Urdu Academy.
Meri Tasveer (My Portrait)- published by GBD Books,I-2/16, Ansari Road, Daryaganj, New Delhi in 2011.
The Qat'aat o Rubaiyat of Zia Fatehabadi (Quatrains of Zia Fatehabadi, original Urdu text and English Translation by Ravinder Kumar Soni And Sushil Soni) – published by Pigeon Books, an imprint of GBD Books,I-2/16, Ansari Road, Daryaganj, New Delhi in 2012 commemorating Zia Fatehabadi's Birth Centenary Year.
_____________________________________

The Call of the Marching Bell (Urdu: بان٘گِ دَرا‎; 'Bāⁿṅg-ē-Darā; published in Urdu 1924) was the first Urdu philosophical poetry book by Allama Iqbal, the great poet-philosopher of the Indian subcontinent. It was translated into English by M.A.K. Khalil (January 1996).
The poems in The Call of the Marching Bell were written by Iqbāl over a period of twenty years; the collection is divided into three parts:
Poems written up to 1905, the year Iqbal left for England. These include nursery, pastoral, and patriotic verses. "Tarana-e-Hindi" ("The Song of India") has become an anthem, and is sung or played in India at national events. "Hindustani Bachon Ka Qaumi Geet" (National Anthem for Indian Children) is another well-known song.
Poems written between 1905 and 1908, the period he spent as a student in Europe. He praises the rationality and pragmatism of the West, but complains about its overt materialism, loss of spirituality, and narrow patriotism, which promises suffering. This situation strengthened his belief in the universal values of Islam, and he resolved to use his poetry to stir Muslims to a renaissance.
Poems written between 1908 and 1923, in which Iqbal reminds Muslims of their past greatness and calls for the brotherhood and unity that transcend territorial boundaries. He urges the ummah to live a life of servitude to God, of sacrifice, and of action so that they may attain once more the high civilisation that was once theirs. "Yam Awr Shair" ("The Poet and the Cradle"), "Shikwa" ("The Complaint to God"), "Jawab-i-Shikwa" ("The Response to the Complaint"), "Khizr-i-Rah" ("Guidance"), and "Tulu'i Islam" ("Light of Islam") are considered among the greatest Islamic poems. Love and the self are important themes throughout this section.


Urdu Poetry Books
Urdu Poetry Books
Urdu Poetry Books
Urdu Poetry Books
Urdu Poetry Books
Urdu Poetry Books
Urdu Poetry Books
Urdu Poetry Books
Urdu Poetry Books
Urdu Poetry Books
Urdu Poetry Books

Sms Urdu Poetry

Sms Urdu Poetry Biography

Source(google.com.pk)

Agr khush hai wo dekh k ansu meri ankho me,
to qasam se hum muskurana chor denge,
tadapte rahenge use dekhne ko magar,
uski taraf palke uthana chor denge.

____________

Milne ki khushi hai ya bichadne ka gum,
Ankhon mein aansu hai ya udas hai ham,
Kaise kahain k kaisey hain ham,
Bas itna samaj lena k tum bin bohat akele hai ham,

____________

Sharabi ilzam sharab ko deta hai,
aashiq ilzam shabab ko deta hai.
Koi nahi karta qabul apni bhul,
kanta bhi ilzam gulab ko deta hai

____________

Waqt guzarta raha per sans thami si thi,
Muskura rahe thy hum,per ankhon me nami si thi,

Saath hamaray jahan tha sara,
Per najanay kion tumhari kami si thi

____________

Phool ki shuruvat kali se hoti hai,
Zindagi ki shuruvat pyar se hoti hai,
Pyar ki shuruvat apno se hoti hai aur
apno ki shuruvat aapse hoti hai.

____________

Kashish dil ko��dharkanay k liyay kafi hai
uski yaad hi mujhey rulanay k liyaykafi hai
usko neend shayad hi aati hogi par
uske sang bite pal mujhe sulanay k liyay kafi hain

____________

Hum app ki yaad main udas hain,
Bas app say milnay ki ass hay,

Chahay dost kitnay hi kion na hoon,
Maray liye tu app hi sab se khas hain
Eid Mubarak To My Cute, Sweet and Special Friend.

____________

Mubarak naam hai tera,
mubarak Eid ho tujhko,
jise tu dekhna chahe
usi ki deed ho tujko
EID MUBARAK.

____________

Meri Eid ka Ta'alluq Teri Deed sey raha hai
na hoyee Deed Teri na hoyee hai Eid Meri

____________

Woh nadiyan nahi thi mere aansu thay,
Jis per mere dost kashtiyan chalatay rahay,
Manzil milay unhain ye chahat thi meri,
Isliya hum ansu pe ansu bahatay rahay...


Sms Urdu Poetry
Sms Urdu Poetry
Sms Urdu Poetry
Sms Urdu Poetry
Sms Urdu Poetry
Sms Urdu Poetry
Sms Urdu Poetry
Sms Urdu Poetry
Sms Urdu Poetry
Sms Urdu Poetry
Sms Urdu Poetry

Urdu Poetry Allama Iqbal

Urdu Poetry Allama Iqbal Biography

Source(google.com.pk)

Iqbal was born in the Punjab on February 22, 1873. His ancestors, who were Kashmiri Brahmins, had embraced Islam two hundred years earlier. Iqbal’s own father was a devout Muslim with Sufistic bent of mind.

Iqbal returned to India in 1908. The poet had won all these academic laurels by the time he was 32 or 33. He practiced as a lawyer from 1908 to 1934, when ill health compelled him to give up his practice. In fact, his heart was not in it and he devoted more time to philosophy and literature than to legal profession.

He attended the meetings of Anjuman Himayat-I-Islam regularly at Lahore. The epoch making poems, Shikwa and Jawab-e-Shikwa, which he read out in the annual convention of it one year after another, sparkled with the glow of his genius and made him immensely popular. They became the national songs of Millet.

Iqbal’s other poems Tarana-e-Hind (The Indian anthem) and Tarana-e-Milli (the Muslim Anthem) also became very popular among masses and used to be sung as symbols of National or Muslim identity at public meetings.

The Balkan wars and the Battle of Tripoli, in 1910, shook Iqbal powerfully and inflicted a deep wound upon his heart. In his mood of anger and frustration, he wrote a number of stirring poems, which together with portraying the anguish of Muslims were severely critical of the West.

The spirit of change is evident in poems like Bilad-e-Islamia (the lands of Islam), Wataniat (Nationalism), Muslim, Fatima Bint Abdullah (who was killed in the siege of Cyrainca, Siddiq, Bilal, Tahzib-e-Hazir (Modern civilization) and Huzoor-e-Risalat Maab Mein (in the presence of Sacred Prophet).

In these poems, Iqbal deplores the attitude of Muslim leaders who lay a claim to Islamic leadership and yet are devoid of a genuine spiritual attachment to the blessed Prophet.

The last phase of Iqbal’s life was embittered with constant illness. But as regards his creative activities this product was most productive. He kept in touch with every question of the day and continued composing beautiful verses.

A few minutes before his death he recited these touching lines:

The departed melody may return or not!

The zephyr from Hijaz may blow again or not!

The days of this Faqir has come to an end,

Another seer may come or not!

Although Iqbal’s was long and protracted the end was sudden and verypeaceful. He breathed his last in the early hours of April 21, 1938, in the arms of his old and devoted servant, leaving behind a host of mourners all over the Islamic world. There was a faint smile playing on his lips, which irresistibly reminded one of the last criterions, which he laid down for a truthful Muslim.

Urdu Poetry Allama Iqbal
Urdu Poetry Allama Iqbal
Urdu Poetry Allama Iqbal
Urdu Poetry Allama Iqbal
Urdu Poetry Allama Iqbal
Urdu Poetry Allama Iqbal
Urdu Poetry Allama Iqbal
Urdu Poetry Allama Iqbal
Urdu Poetry Allama Iqbal
Urdu Poetry Allama Iqbal
Urdu Poetry Allama Iqbal